Still at our home in Idaho, and as the rain poured for the past two days (soaking the forest which I love!), I have spent my time almost entirely, doing a 15 foot x 8 foot sky mural on the ceiling in the master bedroom.
I've done many, many murals in my day, but one thing I haven't done is a sky mural on a ceiling.
The first thing I did was to tape off the area of the ceiling that I wanted my mural to be. Boy, measuring out such a large space all by myself was a real trick! (Friend husband was busy installing a mable fireplace). Just try holding a tape measure against the wall, and trying to place a mark 4 feet in while you stand on a ladder! Flat impossible! The tape measure bends and falls and frustration is about all that results. Using a thin pole was no better since it was impossible to always be completely straight.
So, since my Mother raised a "find a way" sort of girl, I got a wide, flat board from the basement, placed a mark at 4 feet, held it against the wall and the ceiling (much easier than trying to get a skinny yard stick or tape measure to stay straight!) and began marking the ceilng.
The board, (being 10" wide) made it super easy since once pressed against the wall, it didn't tilt in either direction but stayed perfectly straight. I was able to mark out a perfectly even rectangle.
After taping the area off with blue painters tape, I then painted the entire inside of the rectangle a pale blue.
I've painted lots of clouds in my life, but doing it from a perspective of being on the ground was a new one for me. So, as I always recommend when you are trying something new, do a sample board! I practiced my cloud formations until I got exactly what I wanted. It took me three tries before they looked right so never feel bad if it takes you awhile to get a technique down. None of us know it all and practice is the only way to learn.
With most murals, one "builds" the scene from back to front. Doing a series of clouds is no different. So do clouds in the background then do your foreground clouds for realism.
When doing clouds, no matter what perspective, an easy method is to begin with a pale gray paint and with a sea-sponge, blot what would be the "under side" of your clouds. Blend just enough to where the obvious "blotches" are gone. EAch of my clouds is in the neighborhood of 10" across and 5 inches or more deep. So when blotting the gray, I did it in about a 3" deep streak that was about 10" wide.
Now, with a very light cream (I don't really like pure white for clouds but you can use it if you choose), I blotted the top part of my clouds with a wide paint brush, turning my brush each time I pounced it until I got the "cloud" I was looking for. Turning the brush helps to prevent you from creating the same exact effect over and over.
Remeber that clouds are a "puff", not a line in most cases so you aren't looking for anything "straight" here. You also want each cloud to look different from the next. Keep in mind that clouds don't have "points" (maybe a freakish one now and then but personally, I don't want any in my mural) and clouds don't have sharp edges so keep it "bumpy" and simple.
Look at clouds on a sunny day and what you will see are lots of "angles". If you need help visualizing, grab a magazine and I'll bet you money, in an ad or photo somewhere, there will be a photo that includes clouds. Study them and you will see what I mean. Heck, you can even copy them if you choose!
As you begin blotting the top of the clouds, be certain to blend outwardly in to the sky and down in to the gray portion of the clouds. You don't want obvious "lines". I begin at the outer edge of my mural (those would be the clouds that would be the farthest away to the eye). After I finished the first cloud, I moved back toward the taped edge to do the next one.
With each cloud you do, you want to cover part of the cloud you did previously, leaving bits of blue sky showing through here and there. As you do this, you will see that the top of your next cloud covers some of the gray of the outer cloud. This helps to develop depth and your eye begins to see that fact almost imediately. It's rather COOL!
Clouds form "clumps" in the sky in most cases. It's not so common to see a single cloud floating by, as it is to see groups of them together (I guess it must be the same reasoning why people tend to "bunch up" on the freeway). Spread out for crying out loud!
I did a series of clouds in each corner, taking the formations from about 2 1/2 feet out in to the sky and all the way back to the edge of the tape, again (important) leaving a bit of the underlying "blue paint" show through, and then groupings at the center of each long side of the mural.
How I would LOVE to give you some photos here but I'm on my laptop and no cable for the camera! But I'll be certain to put them on my website at VictoraLarsen.com as soon as I get back to Seattle.
Once the clouds were pretty much done, I mixed the tiniest bit of red paint with my remaining light gray paint and went back with a dry paint brush and on the "under" side of only some of the clouds (don't do all of them or it won't look right), I dotted and blended bits of gray/pink, ofcourse blending as I went. Blending is VERY important in creating clouds just as it is in doing sponge painting on the walls. Wow! They came out gorgeous and the addition of the gray/pink gave the mural even more depth and realism.
Lastly, I added streaks of cream (no gray) to the center of the sky, just here, beginning with the point of my brush then twisting and turning my brush as I made the streak. This gave the streak separation and natural looking waves. I then blended them with my sea sponge. They appear to be very far off clouds just streaking the sky with a hint of light. It looks very natural.
Tomorrow I will protect it (so I can wash the ceiling if I want to and eventually I will have to since I'm a major CANDLE FREAK!) with a coat of clear, satin "Wipe on Poly" by Minwax. This is great stuff! Get it at all paint outlets including Walmart (where I got mine tonight in the paint section). It's a "wipe on" clear coat that comes in gloss or satin, never bubbles, always looks fabulous and protects like varnish but super duper easy to apply and dries quickly. My Mom turned me on to that one and now I use it for just about everything!
The final step in this mural is to eventually add a cast plaster ornamental surround with a combination of some of our beautiful molds off my website. I've always loved the look of ornamental plaster in fine homes, so developing my line of molds allows me to create that for myself for pennies. If you haven't tried it yet, visit our "How to cast plaster from a mold" to see how easy it is. If you can pour cake batter and wait for 45 minutes you can do it!
Once I'm back in Seattle, I'll begin casting the pieces I will need for the ornamental frame for the mural and will bring them back over during our Christmas trip here and apply them. For now, the painters tape stays in place and the project will remain on hold until then.
Since I've worked since the day I got here, I'm going to spend Wednesday baking and making the house smell wonderful. There's nothing more relaxing to me, than to spend a leisure day in the kitchen just cooking. I love to cook and have developed some wonderful recipes I may one day share on my website.
Our neighbor Bill has a large blueberry farm (I can barely see it down in the valley), and he gave me a huge bag of fabulous, fat, juicy blueberries so I am baking muffins for the breakfasts after Thanksgiving (Yes, 8 people are really spending the whole weekend!) and trying my hand at a fresh blueberry pie! I found what looks like a nice recipe in Better Homes and Garden Magazine.
Enjoy your Thanksgiving everyone! We each have so much to be thankful for.
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